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Anthems Outside Time and Other Strange Voices, Fairwood Press (2020).

The Law & the Heart, Stillpoint Digital Press (2014).

Short fiction

Laws of Impermanence“, Uncanny Magazine #36 (September/October 2020).

“Dispersion”, in Anthems Outside Time and Other Strange Voices (above) (2020).

“Who Embodied What We Are”, in Anthems Outside Time and Other Strange Voices (above) (2020).

“Foursomes”, Across the Universe: Tales of Alternative Beatles (Randee Dawn and Michael Ventrella, eds.), Fantastic Books (2019).

“Keepsakes”:

  • Analog Science Fiction & Fact (November/December 2017)
  • Anthems Outside Time and Other Strange Voices (above) (2020).

“You in the United States!”:

“A Lack of Congenial Solutions”:

  • Humanity 2.0 (Alex Shvartsman, ed.), Arc Manor / Phoenix Pick (2016).
  • Anthems Outside Time and Other Strange Voices (above) (2020).

“Some Pebbles in the Palm”:

  • Lightspeed Magazine #74 (July 2016).
    • Includes podcast version narrated by Stefan Rudnicki.
  • Anthems Outside Time and Other Strange Voices (above) (2020).

“The Plausibility of Dragons”:

“The Sisters’ Line” (co-authored with Liz Argall):

  • Uncanny Magazine #6 (September 2015).
  • Anthems Outside Time and Other Strange Voices (above) (2020).

“The Last Bombardment”:

“Trusting What I Smell”, Perihelion Online Science Fiction Magazine (April 12, 2015).

“Living in the Niche”:

  • Triptych Tales (December 1, 2014).
  • Anthems Outside Time and Other Strange Voices (above)

“I Wrung It in a Weary Land”:

“I is for…”, A is for Apocalypse, (Rhonda Parrish, ed.), Poise and Pen Publishing, 2014).

“Exceptionalism”, The Law & the Heart (see above) (2014).

“Grapple with Thee”, The Law & the Heart (see above) (2014).

“Half a Degree”, The Law & the Heart (see above) (2014).

“The Orpheus Fountain”, The Law & the Heart (see above) (2014).

“Levels of Observation”:


“I Have Read the Terms of Use”:

  • Daily Science Fiction (December 3, 2013).
  • The Law & The Heart (see above) (2014).
  • Anthems Outside Time and Other Strange Voices (above) (2020).

“Life of the Author Plus Seventy”:

  • Analog Science Fiction & Fact,  (September, 2013).
  • The Law & the Heart, (see above) (2014).
  • In Italian translation as “Vita di un autore più 70 anni” (Fiorella Moscatello, trans.): Future Fiction, vol. 17 (January, 2015).
  • In Chinese translation in the anthology What’s the Future Like (Francesco Verso, ed.), Guangzhou Blue Ocean Press (2019).
  • Anthems Outside Time and Other Strange Voices (above) (2020).

Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer“:

“Hear the Enemy, My Daughter”:

  • Strange Horizons (May 6, 2013).
    • Also in audio podcast read by Anaea Lay.
  • The Law & the Heart (see above) (2014).
  • Anthems Outside Time and Other Strange Voices (above) (2020).

Financial Strategies for Innovative Researchers“, Mad Scientist Journal (October, 2012).

“Serkers and Sleep”:

“Confinement”:

  • SQ Mag #2 (May 2012) (Finalist in Story Quest Short Story Contest).
  • Mysterion: Rediscovering the Mysteries of the Christian Faith (Donald Crankshaw & Kristin Janz, eds.), Enigmatic Mirror Press (2016).
  • Anthems Outside Time and Other Strange Voices (above) (2020)

“The Age of Three Stars”:

“The Mannequin’s Itch”:

  • The Pedestal Magazine #67 (December 21, 2011).
  • Audio podcast: Read by Tina Connolly on Toasted Cake #46 (November 11, 2012).
  • Anthems Outside Time and Other Strange Voices (above) (2020)

“Neural Net” [hypertext story], Ideomancer vol. 10, #4 (December 2011).

“Working Holiday”, Comets and Criminals #1 (November, 2011).

“Keeping Tabs”:

  • Abyss & Apex (Fourth Quarter 2011).
  • Audio podcast: Read by Dani Cutler on Escape Pod # 389 (March 28, 2013).
  • The Law & the Heart, (see above) (2014).
  • Anthems Outside Time and Other Strange Voices (above) (2020).

“Less Than Absent”, BULL SPEC#6, pp. 22-23(Autumn 2011).

“The Tortoise Parliament”:

“Tenure Track”:

  • Cosmos Online (November 23, 2010).
  • The Law & the Heart (see above) (2014).
  • Anthems Outside Time and Other Strange Voices (above) (2020)

“Six Drabbles of Separation”:

“The Whole Truth Witness”:

  • Analog Science Fiction & Fact (October, 2010).
  • In Russian translation: ELSI, pp. 155-174 (May, 2011).
  • The Law & the Heart (see above) (2014).
  • In Italian translation as “Testimone di tutta la verità” (Fiorella Moscatello, trans.): Future Fiction, vol. 17 (January, 2015).
  • Anthems Outside Time and Other Strange Voices (above) (2020).

“Lineage”:

“Conflagration”:

  • Newport Review (Summer, 2010).
  • The Law & the Heart (see above) (2014).

“Liza’s Home”:

  • GUD Magazine #5, pp. 180-193 (Winter, 2009).
  • The Law & the Heart, (see above) (2014).

Same Day Service“, Thaumatrope (12/5/2009).

“The First Day of Spring”, Odyssey: Adventures in Science 32 (October, 2009).

“The Never Fair”, Niteblade #8, (pp. 75-85 in PDF version) (June, 2009).

Without Sentimentality“, Nanoism #24 (5/29/2009).

“Among Strangers”, Misfit Mirror  (Kay Green, ed.), Earlyworks Press, Hastings, Sussex, UK (2008) (Winner, Sixty-word Sagas Competition).

“No Monster”, Misfit Mirror  (Kay Green, ed.), Earlyworks Press, Hastings, Sussex, UK (2008).

“No One’s Safe”:

  • Misfit Mirror (Kay Green, ed.), Earlyworks Press, Hastings, Sussex, UK (2008).
  • Revised as part of “Six Drabbles of Separation” (see above)(2010).

“Imagination’s Curse:”

  • Misfit Mirror (Kay Green, ed.), Earlyworks Press, Hastings, Sussex, UK (2008).
  • Revised as part of “Six Drabbles of Separation” (see above)(2010).

“Too Much Sense”:

  • Misfit Mirror (Kay Green, ed.), Earlyworks Press, Hastings, Sussex, UK (2008).
  • Revised as part of “Six Drabbles of Separation” (see above)(2010).

“Before Playing”, Flashshot, 9 October 2008.

“Calibration:”

  • Nature Physics4:580 (July, 2008).
  • Anthems Outside Time and Other Strange Voices (above) (2020).

Nonfiction

Interviewed by Caroline M. Yoachim in Uncanny Magazine, Issue #36, September/October, 2020.

Why My Voices Are Strange“, guest post on “The Big Idea” feature on John Scalzi’s Whatever, July 16, 2020.

“So You Want to be a Speaker”, The SFWA Bulletin, Issue 209 (vol 51, Issue 1), pp.22-25 (2017).

Introduction to Timepiece by Heather Albano, Stillpoint/Prometheus (2017).

Interviewed by Jude Griffin, Lightspeed Magazine #66 (2015).

Interviewed by Deborah Stanish, Uncanny Magazine #6 (2015).

The Truth of Revision“, This I Believe – Rhode Island, Rhode Island Public Radio (November 19, 2014; rebroadcast March 30, 2016, August 1, 2018, August 27, 2019).

Interviewed by Jaym Gates, “Nominees: Best Short Story”, The SFWA Bulletin 48:1, pp. 74-75 (Spring, 2014).

Interviewed by Bonnie Jo Stufflebeam: “Short Story Interview: Ken Schneyer“, Short Story Review, March 3, 2014.

Interviewed by Matt London: “Clarion Workshop Alumni Interviews: Kenneth Schneyer“, tor.com, June 27, 2011.

Review of A Life on Paper by Georges-Olivier Châteaureynaud, translated by Edward Gauvin, Brooklyn Rail (July, 2010).

“No Place to Stand: The Incoherent Legal World of J. K. Rowling”, Terminus: Collected Papers on Harry Potter, 7-11 August 2008pp. 33-62(Sharon K. Goetz, Ed., Narrate Conferences, Sedalia, CO 2010).

Hooting: Public and Popular Discourse About Sex Discrimination“, University of Michigan Journal of Law Reform 31:551 (1998).

“The Culture of Risk: Deconstructing Mutual Mistake”, American Business Law Journal 34:429 (1997).

Avoiding the Personal Pronoun: The Rhetoric of Display and Camouflage in the Law of Sexual Orientation“, Rutgers Law Review 46:1313 (1994).

“Talking About Judges, Talking About Women: Constitutive Rhetoric in the Johnson Controls Case”, American Business Law Journal 31:117 (1993).

The Death of the Actor-Manager in the American Theater, 1896-1924, unpublished honors thesis, Wesleyan University (1983). Winner of the Grand Prize for Excellence, Alpha Delta Phi International Literary Competition. Copies available at Olin Library, Wesleyan University, Middletown, Connecticut, and at the Lincoln Center Library, New York City.

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